An excerpt from the Tonequest April 2011 issue:
"Like they say, I suppose I could play any cheap, candy-ass guitar and sound like me, but why would I want to?" -- T. Funk LaGrange
Truer words were never spoken - even by a master of vague obfuscation like T. Funk. Why is it that the very same dudes that so enjoy spouting off about how 'tone is in yer hands' are so picky about what they put in their hands in the first place? This of course, is one of the big lies that sounds so good on the surface that we gladly swallow it even when our instincts tell us otherwise. Let's call [gooey brown stuff] on the 'tone is in your hands' thing once and for all, shall we?
The thinking man understands that tone truly gestates in the mind -- the hands are merely willing accomplices in a complex dance that involves heart, mind and soul, and yes, it does matter what guitar you play. In fact, the better you can play the more it seems to matter. The guitars you choose to play can offer romance as intense as the imagined images of women you would possess in your dreams. The difference, of course, is that in the hard glare of day to day living, a good guitar is likely to be a lot less trouble.
Are there guitarists right now this very moment flogabatizing over the fantasy of an old Mosrite being gently stroked to climax? Surely not. Half the fun of playing the guitar is also about playing cool guitars, and we love owning cool guitars about as much as we love playing them. Uncool guitars generally don't get asked to the dance, unless your shine is all about being uncool in the first place, in which case the uncool is considered cool. We just saw Buddy Miller with Robert Plant ... Buddy Miller plays some guitars that were very uncool when he bought them. Now they are not only cool but expensive... But they won't come with Buddy Miller's heart, mind and soul, and if you buy one, you probably ain't gonna sound like Buddy Miller. Wearing a cool hat won't help either. Tone is not in yer hat.