actually i was thinking of something simpler. i have a victoria champ coming in (5 watter with the 8 inch speaker) and a protools setup on my laptop (firewire 410) and sm57. Was thinking no mixing (since the champ has no eq) - sm 57 - protools no effects no post mixing. Maybe put in the box of rock just for some distortion... at least this way i can also rec historics, strats, epis, etc so its consistent. what u think?
Well, I suggest you have an extra mic to complement the 57. The 57 can cheat the sound a bit. Not really the best mic if you want to approach realism. Try a condenser placed somewhere. Finding the sweetspot (in this case, the combination that can capture realism) is the real problem.
skunky - off-topic... anong mare-recommend mong microphone for recording?
There is no definite answer to this. For all you know a cheap Samson mic like an R11 might do the job. By merely changing the volume level of the amp, or even gain settings, your choice of mic should also change. That is why in most huge studios, they prefer having like 8 to 10 mics per cabinet, and it is in the final mix that they choose the best sounding tracks. The reason why I suggest adding another mic to the 57 is because while it tends to have a nice capture of the upper mids and trebly frequencies, IMO, it does not capture open sounds that nicely. Maybe a condenser or ribbon mic placed inside the room or a few inches away from the speaker can help, but one thing to be avoided is phase distortion (although in some cases that is the sound you are looking for.)
Anyway, as my own rule of thumb, these are the best minimalist combinations:
Shure SM57 somewhat off axis 1-3 inches from speaker grill + LDC some 8 inches away (can be farther)
Shure SM58 (minus the windscreen) somewhat off axis 1-3 inches from speaker grill + LDC some 8 inches away (can be farther)
Sennheiser E609 2" from the speaker cone edge + LDC
Sm57 + E609 (works wekll for more compressed sounds)
A lot say a Royer R121 ribbon is good at reinforcing those airy sounds. Also some suggest a Sennheiser MD421 to be added as a close mic.
But if your main goal is getting REALISM, it can be quite a challenge. Vhunter, there is nothing wrong with using EQ and compression when tracking guitars because in some cases, the most realistic sounds can be nailed with those tools. I have given up on the idea that recording everything clean (and without EQ or comp) is the right thing to do.