Helix 2.80 update is out!
New Amp Models in 2.80
Helix Floor, Helix Rack, Helix LT, Helix Native, HX Stomp
• Fullerton Nrm, based on* the classic 1958 Fender® 5C3 Tweed Deluxe (normal channel)
• Fullerton Brt, based on* the classic 1958 Fender® 5C3 Tweed Deluxe (bright channel)
• Fullerton Jump, based on* the classic 1958 Fender® 5C3 Tweed Deluxe (jumped channels)
• Grammatico Nrm, based on* the modern 2016 Grammatico LaGrange (normal channel)
• Grammatico Brt, based on* the modern 2016 Grammatico LaGrange (bright channel)
• Grammatico Jump, based on* the modern 2016 Grammatico LaGrange (jumped channels)
• Revv Gen Red, based on* the red (gain 2) channel of the Revv® Generator 120
• Ampeg SVT-4 PRO, based on* the Ampeg® SVT-4 PRO
NOTE: All product names used in this document are trademarks of their respective owners and neither Yamaha Guitar Group nor Line 6 are associated or affiliated with them. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development. That said, the teams at Revv and Grammatico are super cool (and patient!) and you should buy their awesome amps.
New Effects Models in 2.80
Helix Floor, Helix Rack, Helix LT, Helix Native, HX Effects, HX Stomp
• Distortion > Dhyana Drive (Mono, Stereo), based on* the Hermida Zendrive
• Distortion > Heir Apparent (Mono, Stereo), based on* the Analogman Prince of Tone (basically half a King of Tone)
• Distortion > Tone Sovereign (Mono, Stereo), based on* the Analogman King of Tone V4 (basically two Prince of Tones in one)
• Distortion > ZeroAmp Bass DI (Mono, Stereo), based on* the Tech 21® SansAmp Bass Driver DI V1
• Distortion > Ampeg Scrambler (Mono, Stereo), based on* the Ampeg® Scrambler Bass Overdrive
• Filter > Asheville Pattrn (Mono, Stereo), based on* the Moog® Moogerfooger® MF-105M MIDI MuRF Filter (with both MuRF and Bass MuRF voicings)
• EQ > Low/High Shelf (Mono, Stereo), Line 6 Original
• EQ > Tilt (Mono, Stereo), Line 6 Original. Tilt is a subtle 6dB EQ that boosts high frequencies while simultaneously attenuating low frequencies (or vice versa). Great for quickly making tones a bit brighter or darker. The Center Freq parameter sets the frequency around which the boost and cut pivot