I got my first taste of Chick Corea's music way back in high school - around 1977, I think.
A classmate of mine, who was our resident 'jazz guru,' exposed us to Chick's music, along with Jeff Beck, McLaughlin, DiMeola and a lot more. It was a radical musical turning point, so to speak.
At the time, RTF had just reformatted. That was the 'MusicMagic' period, if I'm not mistaken.
From there, we worked our way backwards, listening to the older stuff like 'No Mystery,' 'Where Have I Known You Before?' and 'Light As A Feather.' Now, for someone who hasn't really been exposed to 'mainstream jazz,' all this hodgepodge of jazz/rock/Latin influences sure sounded Greek to me. Although I pretty much dug the rock side of things - thanks to his sidemen.
But even then, a few cuts left an indelible impression on me: 'Humpty Dumpty' from the 'Mad Hatter' album, mainly since it sounded so ... 'jazzy,' for lack of a better term. Joe Farrell's lines, Steve Gadd's sensitive drumming, and of course, Corea's bop lines made me listen more and more ...
The bop influence hit me even more with the release of 'Three Quartet,' which featured Michael Brecker. Wow!!! All I could say then was, "Man, THIS is jazz!!!"
All that quartal [gooey brown stuff] just left me dumbfounded.
As a sidelight, please bear in mind that all these happened during a time when records and cassette tapes were the sole sources of music.
Sadly, there was a quite a long lull from the 'death' of vinyl to the birth of the CD format. Along with that, at least in the local scene, there was also a dearth of jazz albums.
The only consolation we had at the time was when Ivory Records reissued some of the old jazz classics in cassette format, with artists like Coltrane/Miles, Wes, Monk, Bill Evans and quite a lot more.
But I digress.
Another major turning point, as far as Corea is concerned, was the birth of the Elektric Band, around 1986, if I'm not mistaken. And what a comeback! He had Carlos Rios and Scott Henderson on guitar, a very young (and sizzling) John Pattitucci brandishing his 6-string bass chops and Weckl (another monster, right Jim?
) on drums.
Man!!! That album felt like a breath of fresh air. Jazz-rock-fusion at its best. None of the hauntingly eerie Gayle Moran vocals and all that leprechaun crap ...
Boy, this post is getting long. And I haven't even touched on the Akoustic Band..
More to follow ..