PRESONUS DIGITAL MIXERS
24.4.2
Features:
24 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers
4 subgroups
Stereo/mono main out
10 auxiliary mixes
32-in/26-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz)
Studio One Artist Digital Audio Workstation software for Mac® and PC
Capture™ 1.1 recording software for Mac® and PC
StudioLive Remote mixer-control software for iPad® available free from Apple App Store
QMix™ aux-control software for iPhone® and iPod touch® available free from Apple App Store
Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
24 channel strips
Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
+48V phantom power switch for condenser microphones
FireWire Input Select
100 mm precision faders
Lighted Solo and Mute buttons
Access to Fat Channel functions
15-LED ladder metering + clip LED
Analog ¼" insert (rear panel)
4 subgroup buses, each with:
Solo
Mute
Access to Fat Channel functions (except high-pass filter and phase reverse)
10 aux sends, each with
Solo
Pre/post-fader send
Output-level control
Access to Fat Channel functions (except phase reverse)
Mix and Mix/Pan Fat Channel metering
Available sources: 24 input channels, Aux A and B, Tape Input, Talkback
2 internal effects sends, each with:
Mute
Pre/post-fader send
Output-level control
Access to Fat Channel (except phase reverse)
Effects-send Select for Fat Channel metering
Mix button for aux-bus mixing and Fat Channel metering
Master Section
Aux Input A and B
Level Control and Select (Fat Channel metering) switch
Access to all Fat Channel functions (except phase reverse)
Talkback System
Mic Level control
Output Select ( Aux 1-2, 3-6, 7-10, Main)
Talk button
Rear-panel XLR mic input with level control and continuous 48V phantom power
2 Track In
Level control
Tape Input to Mains button
FireWire source on/off
Solo Bus
Cue Mix volume control
PFL/AFL and Solo In Place (SIP) buttons
Monitor Bus
Headphone-output level control
Control-room monitor-level control
Solo Bus to Monitor button
Tape Input to Monitor button
Main L/R FireWire Return to Monitor button
Main Mix to Monitor button
Fat Channel with rotary encoders:
Pan with dedicated 15-LED display
Stereo link for input channels, aux buses, and subgroups
Phase reverse (main channels only)
High-pass filter: 6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
4-band fully parametric equalizer
Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
Master EQ On/Off button
Gate: Threshold: 0 to –84 dB, Attack: 0.02 to 500 ms, Release: 0.05 to 2 sec, Bandpass Key Filter: 40 Hz to 16 kHz, second-order resonant bandpass filter Q (0.7) with Key Listen function
Compressor: Threshold,-56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
Output Assign: 4 subgroups and main with post-EQ/post-dynamics option
All settings can be copied among channels and saved as user presets.
50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
2 internal digital effects-processors, each with 50 customizable reverb and delay presets
31-band graphic equalizers
Assignable in four stereo pairs
Mono or stereo operation
Main outputs, aux outputs, subgroup outputs
Scene Store and Recall
Global Scene Storage: all current StudioLive settings
Up to 80 at a time
Automatic Global AutoStore
Individual channel-strip Scene storage
Up to 48 at a time, plus…
50 factory presets for instruments and vocal
Copy and Paste between channels
Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
Lockout mode to keep inspired amateurs from changing your settings
Metering/Displays
24 x 16- LED Fat Channel matrix:
Pre-dynamics/pre-fader input
Post-dynamics/post-fader output
Gain reduction
Aux 1-10 and EFX A/B output
Fader-position recall
8 x 15-LED main meter bank
Selected channel level
Selected channel gain reduction
Sub buses 1 to 4
Main stereo outputs
15-LED horizontal Pan/Balance display
64 x 194 LCD matrix
Effects parameters
Scene creation, storage, and recall
System menus
2-digit Channel Selected display
Input/Output
24 main inputs, each with XLR mic, ¼" line, and ¼" inserts
2 ¼" stereo (L/R) aux inputs
1 XLR talkback-mic input with phantom power and level control
Unbalanced RCA stereo (L/R) tape inputs and outputs
XLR stereo (L/R) main outputs with level control
¼" stereo (L/R) main outputs
XLR mono output with level control
¼" stereo (L/R) control-room outputs
¼" Headphone output
4 ¼" subgroup outputs
10 ¼" aux outputs
24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 (DB25 sockets) S/PDIF digital out
2 FireWire 400 ports
16.4.2
ITEM DESCRIPTION:
16 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers 4 subgroups Stereo/mono main out 6 auxiliary mixes 32-in/18-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz) Studio One Artist Digital Audio Workstation software for Mac™ and PC Capture™ 1.1 recording software for Mac™ and PC Direct recording interface compatible with Logic®, Nuendo, Cubase, [...]
16 mic/line inputs with high-headroom Class A XMAX™ mic preamplifiers
4 subgroups
Stereo/mono main out
6 auxiliary mixes
32-in/18-out FireWire digital recording interface (24-bit/44.1 kHz and 48 kHz)
Studio One Artist Digital Audio Workstation software for Mac™ and PC
Capture™ 1.1 recording software for Mac™ and PC
Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
16 channel strips
16.0.2
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX™ mic preamplifier
XLR mic and balanced ¼" line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼" line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
High-pass filter
One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle for Mac® and Windows® includes:
PreSonus Studio One® Artist digital audio workstation
PreSonus Capture™ live-recording software
PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
Free downloadable software from the Apple App Store provides wireless remote control, including:
PreSonus StudioLive Remote for iPad®
PreSonus QMix™ for iPhone® and iPod touch®
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
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http://medias.audiofanzine.com/images/normal/presonus-studiolive-16-4-2-238464.jpgPRESONUS AUDIO BOX/RECORDING SYSTEM
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http://shop.modulardisplaypro.com/category/recording-systems/**For Price details contact us at:
QDV Music Factory
Commonwealth Ave, Diliman QC(near Diliman Preparatory School)
990-2479-09274850489
