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Author Topic: Hanep na interview at pulse.ph  (Read 1203 times)

Offline rockyteer

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Hanep na interview at pulse.ph
« on: September 18, 2007, 08:43:16 PM »
My band The Haneps was recently featured at www.pulse.ph! For the complete interview go to http://www.pulse.ph/CMS/ViewPage.php?PostingId=170. Yebah!


HANEPS, PARE
CATCHY, CLEVER, AND SOMETHING ELSE THAT BEGINS WITH “C,” THIS YOUNG, FAST-RISING POP-ROCK TRIO KNOWS HOW TO HAVE FUN
by  Luis Katigbak


Not too long ago I found myself in an unfamiliar bar in Quezon City, watching a bunch of bands I had never heard of before. Normally, this would be a recipe for a quick spiral from teeth-grinding annoyance to suicidal depression, but I lucked out, and found myself liking the show, for the most part. There was one band in particular that I enjoyed. They played originals that sounded like soundtracks to courtships and car chase scenes, to acid trips and alien abductions. Gleeful guitar-pop with enough rough edges not to be wimpy, and enough sweetness not to be mere noise. They had a real sense of fun, and seemed unafraid to laugh at themselves (or, for that matter, at other people). Soon after, I learned their names: They are Rocky Teodoro on vocals and guitar, Allen Samson on bass and vocals, and Iñigo Mortel on drums. They are The Haneps.

According to their MySpace bio, The Haneps are “influenced by British music icons The Beatles, The Kinks, Cream, The Who, Radiohead, Blur, Coldplay, Tears for Fears, and Morrissey (among others).” It goes on to say that ”the band’s sound is jokingly referred to as “brip rock” – a happy union of Britpop and Pinoy Rock.” They released a four-song EP last December (entitled, amusingly enough, “Han-EP!”), and are gearing up to unleash a full-length album soon. They also give fun interviews, as you will see if you do not suddenly develop a serious reading disability between this paragraph and the next.

Why call yourselves “The Haneps”?

ROCKY: The short and corny answer: All of us are hanep. The long and in-depth answer: there is none.
ALLEN: I have my own explanation why we're called The Haneps. Hanep was derived from the pinoy insect Hanip. That's it.
INIGO: Allen is an idiot. But since he’s brilliant, he’s ok with me. I like the name because it doesn't really say anything about us or our music, maybe except that we like what we do very much. Plus, it's catchy without being obscene, and psychedelic without being too long

How did you guys first get into music? What made each of you want to be in a band?

ROCKY: Discovering the music of the Beatles in high school made me want to write my own songs and form a band. To me, music is the ultimate form of self-expression, because you can communicate abstract and complicated mysteries in just 5 minutes or less.
ALLEN: I started playing band music in our church during masses and seminars. I liked the freedom and creativity that goes with playing good music.
INIGO: I got into music because practically everyone around me at least listened to music. I wanted to make music because not everyone did it, eh as a teenager I wanted to be different, so that's one motivation.

Judging from previous interviews, unlike some bands, you guys aren’t childhood friends or former classmates or anything. (Allen met Rocky on PinoyExchange and Inigo met Allen for the first time when they jammed as a band.) To what do you attribute your gelling as a band, especially since you guys have claimed that you all have very different influences? How has the interpersonal/musical dynamic of the three of you evolved?

ROCKY: As far as "gelling" is concerned, I use it everyday on my hair, to keep it spiky. Oh, you mean "gelling" as a band? Sorry. Well, for some reason, the three of us get along pretty good together; I think it's basically because, deep inside, we're all wacky nuts. Regarding our different musical influences, I've got this to say—there are only two types of music: good music and forgettable music. We gel because we make good music.
ALLEN: I believe we bring into The Haneps the lessons we've learned and unlearned from past musical experiences. I see our musical differences as one of the factors to our longevity. It’s fun trying to come to a compromise during jammings and recordings.
INIGO: We also have patience and we always keep our egos in check. And we do it all at the same time. And we talk a lot, keep communication going, and we think about what we do and what we've done. In that sense, we're very sensible people, really.

“Chunami” and “Love Drive” have been getting radio airplay. Tell us a bit more about those two songs—how they came together, why they were chosen as singles, how representative they are of “The Haneps sound.”

ALLEN: The songs are upbeat and fun, perfect for introductions.
INIGO: Those two songs actually begin and end our sets.
ROCKY: When I write a song, sometimes I have a specific concept in mind. "Love Drive" is one of those songs—I wanted to write a song specifically for listening to while you drive. I took the concepts of driving songs like "LA Woman" and "Highway Star" and made them my own. "Chunami" is one of those songs that was written quickly. I was in Puerto Galera, and at that time, the waves were furious—they could really drag you under. Out of nowhere a guitar riff entered my mind, and I tied it up with the idea of the giant waves—the tsunamis. In both cases, I brought these songs to Inigo and Allen, and they filled in the blanks and helped arrange the songs. They were chosen because they represent The Haneps well—they hit hard, they hit fast, and they leave you wanting more.



How do you come up with the subject matter for your songs? (Some of them seem to have very specific references, like “Chocolate Kiss.”) Your MySpace profile says that the band “relies on lyrical and musical hooks to delight listeners.” Explain what you mean by “lyrical hooks.”

ROCKY: A lyrical hook is a word phrase or sentence that captures your audience's attention, pretty much like what a musical hook does. "Chocolate Kiss" is a good example of a lyrical hook; so is "Love Drive." I'm a writer by profession and devour books of all kinds, so I know when a certain word combination has potential or not. Here are several other examples, which I plan on making into songs soon: "Monsoon Mami," "Happy Ninja," and "Magnetic Yes."
INIGO: Rocky has this thing he calls "painting with words". The words don't necessarily mean anything, but since they contribute to some sonic atmosphere, they have some merit of being there. If they convey meaning to you, then better!


continued at http://www.pulse.ph/CMS/ViewPage.php?PostingId=170