Why the assumption that tone is all about price? That's a very bad way to think about tone. When evaluating gear, you evaluate it for what it is and not through its price tag.
I particularly like this post from one of my favorite bloggers.
Ito yung first paragraph:
I just realized that the two amps I currently use are pretty much as far apart on the boutique/coolness/pricey spectrum as they come: Matchless and Epiphone Valve Junior. This makes me happy. It means that it’s about what sounds good for a particular application, not about compensating for insecurities in life with high-priced boutique gear, or conversely, about compensating for having no cash by telling yourself that price doesn’t matter. Those two amps sitting side by side really exemplifies my mantra: ‘Tone is not about price. But sometimes it is.’Rest of article here -
http://www.guitarforworship.com/?p=4178Good read.
If you must know about my current personal experience.. The drive I've pretty much settled on cost me a lot. But I like how one my friends put it (he was one of the guys who recommended it to me) - It's a funny feeling because we've all had the bad experience of spending so much money on different hyped up pedals and then being let down. You'll feel burned and ripped off. But then, one day you spend a lot once more on a pedal and it just lives up and even exceeds your expectations. It's a very good feeling. Price? More than most care to spend
(~400) but for me, it's totally worth it. In fact, I immediately went out and bought another pedal in the line a week after.. it was that good. I'm even in talks for a third one, if finances permit over the holidays. And yes, I think I've tried out and owned a lot of the expensive and hyped dirt pedals out there. These are just on a different level. Having good gear allows me to enjoy my guitar playing more. Feeling great with my most favoritest hobby is a feeling I'm willing to spend for. Heck, there are lots of bad ways to waste your money - gambling, vices, etc. At least dito, productive and fulfilling ( & income-generating for some) yung pinupuntahan.
For some - and this is an interesting observation for me - buying "boutique gear" made by true modern-day artisans (just look at the ace luthiers, amp builders, pedal makers today) is a way of patronizing art. It sounds outlandish at first.. but when you think of it, I think it's a unique appeal of high-priced gear. Kind of fits in with the "one man building amazing gear for a select few" mentality of boutique gear (think of all those high-priced luthiers, PaulC at making Tims, etc). And when you see these instruments.. you'll really see the effort put into them (think Malinoski, etc).