can "hiyaw" be considered in great playing guitars out of the box? based on a player or buyers preference.
-action is perfect on the buyers "preference".
-no buzzing. have great sustain.
-guitar's pickups suit players preference on tone
-etc etc
if so, i may have a couple of guitars that has "hiyaw" hehe
but what about guitars that didnt play great at first, but then after an excellent setup and a few electronic upgrades and changes, can have a chance to have "hiyaw"?
ex: players brings it to lets say their most trusted luthier. luthier performs an immaculate setup/fixes. player plays it. player loved how it turned out. it now sustains great. plays great. sounds great (thru upgrades), etc..
if so, i may have more guitars that have "hiyaw" than i have ever thought. more like all of them have "hiyaw" right after a setup is performed by my go to luthier. upgrades included.
but i may be wrong though in so many aspects.
1. i dont have an idea what hiyaw really is
2. i have poor taste in tone
3. i dont know how to play a guitar
Here's a good guide you can use to check.
1) Rich sounding notes with overtones that reinforce the fundamental --
a
> > three dimensional soundstage whether in clean or overdriven mode.
> > 2) Pick attack defined versus the sustaining note.
> > 3) When a string is bent, the note for a time drops in volume but
suddenly
> > increases in volume at the top of the bend. Even louder than the initial
> > pick attack volume. The bent note at the top of the bend is punchy and
> > powerful not flat or weak.
> > 4) Chordal volume does not drown the guitar when you suddenly switch to
a
> > lick or riff.
> > 5) When you constantly bend and release a note, the guitar weeps and
wails
> > as if there was a subtle wah-wah effect.
> > 6) Balanced volume across all strings.
> > 7) So soft to play even with heavy gauges as if you were playing one
gauge
> > lighter. The guitar reacts to every playing nuance. It can be subtle
and
> > mean when you want it to depending on your technique.
> >
Can punch thru a band with a bass player, another rhythm guitar
player
> > and a keyboard player without having to compete on an amp volume basis.
> > 9) Notes on the upper frets do not sound thin and choked.
> > 10) Most importantly, the guitar magically surprises you everytime you
> > play because it produces different sounds e.g. squeals, picking nuances,
> > etc.